Natalie Lyalin
Natalie Lyalin
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Cells!

explore-blog:

Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 

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Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 
Cells! explore-blog: Such gorgeous vintage anatomy of plant cells. Complement with Ernst Haeckel’s stunning 19th-century biological illustrations. 

Oren and I are watching this.

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I only procrastinated for a few hours before posting this.
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"I think poetry exists partly in order to sing the praises of who and what we love,” she says. “As well as for the purpose of showing us ourselves, at our worst as well as at our best."
Sharon Olds in the September issue of Vogue

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GlitterPony would be proud.

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This photo goes with this article. GlitterPony would be proud.
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“I did Bumble-ardy to save myself. I did not want to die with him. I wanted to live, as any human being does. But there’s no question that the book was affected by what was going on here in the house. Bumble-ardy was a combination of the deepest pain and the wondrous feeling of coming into my own. And it took a long time. It took a very long time.”